
A rogue planet called Melancholia is on a collision course with Earth, and von Trier splits the film in two: a wedding that one sister sabotages from the inside, then the slow approach of the planet, watched mostly from a country estate. Depression is the real subject, dressed as apocalypse.
Karamazovian is human-curated and reader-supported. Become a member to read the full writing — search, lists, and your own tree open with it.
Become a member — $2.99 / month →New here? Create account →
Already a member? Sign in →